Sheila Hickey Garvey

About Sheila Hickey Garvey

Sheila Hickey Garvey is a Professor of Theater at Southern Connecticut State University (SCSU) and the Resident Director and Artistic Associate of Theatrical Production for the Greater Middletown Chorale (GMAX). In the spring of 2010 she staged the GMAC’s production of Felix Mendelssohn's ELIJAH. Dr. Garvey has directed 25 productions for SCSU's Department of Theatre. Her 2011 production of Sarah Ruhl’s Dead Man’s Cell Phone was one of only five New England University Theater productions invited for presentation at the Region I/ John F. Kennedy Center/American College Theatre Festival (KC/ACTF). Her spring 2008 production of "A Piece of My Heart" received KC/ACTF’s Region I directing award for Outstanding Women's Initiative Production. In 2006 she received the prestigious Moss Hart Award for her staging of the American Premiere of Ellen Kaplan's Pulling Apart. Dr. Garvey was awarded a John F. Kennedy Center/American College Theatre Festival Directing Fellowship in 1995. In professional venues she has directed and acted in many of the award winning one-act plays produced by the New England Actor’s Theatre for Short and Neat and staged at New Haven's Lincoln Theatre during New Haven Connecticut's International Festival of the Arts. She has also acted with Long Wharf Theatre, The Kitchen Playwright's Theatre, The Weathervane Theatre, The Allenberry Playhouse and The Williamstown Theatre Festival among others. She is an associate member of the Stage Directors and Choreographers union and an EMC in Actors Equity. In the summer of 2011 she was invited to teach master classes in Acting and Directing on the stage of the National Theatre of the Republika Srpska for the Academy of Performing Arts at the University of Banja Luka in Bosnia. Her articles on theatrical performance have appeared in The Eugene O'Neill Review, Theatre Survey, The New England Theatre Journal, The Recorder and Coup de Theatre, a journal of the Sorbonne. She is a Past President of the Eugene O'Neill Society (2001-2003), a co-editor and a contributor to the book "Jason Robards Remembered" (MacFarland Inc., 2001) and a contributor to "A Critical Companion to Eugene O'Neill: A Literary Reference to His Life and Work" (New York: Facts on File, Inc., 2009). In 2011 she collaborated on the creation of a guidebook titled "Eugene O'Neill's New York" with Arthur and Barbara Gelb. She hold a B.S. from Emerson College (Theatre), an M.A. from Northwestern University (Directing), a Ph.D. from New York University (TISCH) Performance Studies and is also a graduate of Broadway's Circle in the Square Professional Acting School.

Chorale Notes Letter from Italy, 1944 Open Final Dress Rehearsal – April 26, 2013

Chorale Notes Letter from Italy, 1944 Open Final Dress Rehearsal – April 26, 2013

Act I

Chorale Entrance – beautiful

Michael and Katie – you acting in the opening was terrific.  Both of you be sure to protect the baby’s head.  Katie you looked like a Madonna.

I KNOW A LAND

Chorale and Principals – I don’t know why they didn’t applaud – likely they don’t know how to react or they are approaching the production as if it’s a symphony. where one doesn’t applaud between movements.  At Intermission several people told me they wouldn’t dare applaud, as it was too serious.  I think they were being respectful.

WHAT THE CENSOR WROTE – CHORALE

 

AFTER SEEING WHAT HAPPENED TONIGHT, PLEASE LEAVE YOUR LETTERS HELD UP ON AT THE END UNTIL THE FIRST MEASURE OF MUSIC STARTS IN “AWAY”

.  THE USE OF THE LETTERS WAS EXCELLENT TONIGHT – THE SINGING A BIT FEINT . . .I’M JUST SAYIN’. . .

 

RIVA RIDGE

 

Chorale you were 99% there in unison for the marching – By Sunday you will be perfect.  Thank you for getting shot and taking those wounds through the heart f.  You took it for the team.  And it works.  It looked very good.

 

Only one other note:

My general note was that I think the last 25% of the production dragged a bit Friday night.  I’m hoping just saying this brings everyone to figure out how and if they contribute to that and keep the pace up.  I mentioned it to Joe also.

 

Having said the above, all of you have fulfilled my dreams for this production.  It’s been such a joy to work with all of you whether on stage or off stage when doing all the preliminary planning and rehearsing necessary to bring this American epic work to the stage.  Congratulations GMC.  It’s been my privilege to be your artistic collaborator.

 

Sheila

 

 

 

 

 

Middletown Press / Bonnie Goldberg Review

 

“LETTER FROM ITALY, 1944″ A WORLD PREMIERE MASTERWORK

BONNIE GOLDBERG 203-397-5433

Call it ” a soldier’s story told in music,” ” dramatic oratorio,” “a moving opera” or “two sisters’ loving tribute to their father,” “Letter from Italy, 1944” tells the true tale of one man’s experiences during wartime.  It is at the same time a personal and private story and also universal in its scope.

Dr. John K. Meneely, Jr. was a member of the 10th Mountain Division, an elite and unique unit trained as a ski patrol to fight in winter and mountain warfare.  As a medic, John was called upon to witness and provide aid in numerous difficult and painful situations, not the least of which was losing his best friend Billy, killed just one week before the Armistice was declared.

The trauma of wartime doesn’t end when peace is finally achieved and guns are laid down and abandoned.  It lingers and invades the soul  for close to eternity for some. Labelled Post Traumatic Stress Disorder (PTSD), it sends a dark shadow over the future days, days that should be marked by sunshine.

Dr. Meneely’s daughters, one a poet and one a composer, have lovingly dedicated years of their lives to sharing their father’s story, using his letters home from war as the foundation.  They could be any soldier’s story.  Connecticut residents, poet Nancy Fitz-Hugh Meneely from Guilford and Grammy-nominated composer Sarah Meneely-Kyder from Lyme, will proudly debut this major musical drama “Letter from Italy, 1944,” a work comprised of 24 choral and solo pieces, on Sunday, April 28 at 4 p.m. at the Middletown High School Center for the Performing Arts, 200 LaRosa Lane, Middletown.

he 80 strong members of the Greater Middletown Chorale, led by Artistic Director Joseph D’Eugenio, will be accompanied by a professional orchestra.  The principal soloists are Jack Anthony Pott from South Windsor as John Meneely, Patricia Schuman from Essex as his wife Delia, Patricia Barbano from Branford as daughter Sarah, Sheri Hammerstrom from New York City as daughter Nancy and Margaret Tyler from Pawcatuck as daughter Dorothea.  In addition, John’s parents will be portrayed by Katie Hart from Rocky Hill and Michael O’Herron from Middletown.

For Dr. Sheila Hickey Garvey, a professor at Southern Connecticut State University, who serves as the Chorale’s Theater Director, ” It has been a privilege to be a part of the creative team for “Letter from Italy, 1944.”  It was just about three years ago that Sarah and Nancy Meneely presented the GMC with the germinating ideas to further develop some already completed short musical pieces based on their father’s letters home during WWII.   I was instantly committed to helping their endeavor come to life on the stage.  All the men in my family have served in the military during times of war and during periods of international conflict.  “Letter From Italy, 1944” became my opportunity to honor them.  The men in my family have all been exceptionally brave individuals  of  great integrity.  The fact that what has developed is this larger, grander operatic version of the Meneely sisters’ original idea  is nothing short of amazing – and I mean the word Amazing as a gift of spiritual grace.  I only hope audiences give themselves the opportunity to experience this locally written and produced masterwork.  It seems to me that everyone has at least one soldier they have loved and admired.  Seeing “Letter from Italy, 1944″ is a way to pay tribute to all of America’s military and also their loving, supportive families.”

Dr. Garvey is also responsible for all the technical efforts and the projection of WWII archival projections that will accompany the piece and enhance its effectiveness and message.

For Jack Anthony Pott, playing Dr. John Meneely is simply “the role of a lifetime.”  He has been involved in the project since December 2011 when his good friend from graduate school at the University of Connecticut, the chorale’s artistic director Joseph D’Eugenio, told him about it.  Since that time, Pott has immersed himself in the music, researching PTSD by talking to veterans, investigating the 10th Mountain Division, even speaking directly to the sisters, and all before he was given the part.

His wife thought the role was perfect for him, combining as it does many of his loves: music, history, genealogy and United States military history.  He wanted to understand the mindset of the soldier and, passionate to be fully prepared for the role, read all the letters Dr. Meneely had written home.  He found them “awe inspiring” and calls this production a “new, major work” that he is passionate about presenting to “raise the public consciousness about the issues in the story.’

For Pott, this is more than an oratorio, because it involves costumes, stage movement, visuals and interaction, so you see the story as well as hear it.  When he was finally chosen to play this central figure, he felt privileged to portray a man who could not leave the war behind him when he returned home to his family and couldn’t cope.  The tragedy is that for the following eighteen years he used alcohol and medications to treat his depression, until in despair he took his own life.

For Nancy, the poet daughter, the experience of putting together both the book and the oratorio has “broadened my awareness of the workings and efforts of war, past and  present, and deepened my appreciation of how hard it can be to come home from the battlefield.  I understand now that my father fought two wars, the one he waged overseas and the one he fought against its aftermath.  I know now that he was heartbreakingly heroic not only in his first war but also in the second.  I’ve always loved him, of course, but what I feel for him now is something even deeper, love mixed with sympathy, admiration, understanding – and gratitude beyond words.”

Her book of poetry “Letter from Italy, 1944” (Publisher, Antrim House) chronicles in lyrical and emotional verse, with photos and explanations, her father’s journey through the battlefields of war and the equally difficult landscapes at home.  She writes with bittersweet insight into what he faced.  Her sister Sarah has taken many of these missives and set them to music enhancing their poignancy.  From the first song, a newly born John hears his father singing “Oh, The Sweetie Man,” to songs of battle like “Riva Ridge” where he is “fight(ing) the clutch of memory and fear,” to “Boots” where he relives the loss of best friend Billy, to the final despair that takes him as a “solitary man who has loved the best he can” in “In the End He Can Do No More.”

For Sarah, the composer, “It has been an amazing challenge to write “Letter from Italy, 1944,” an oratorio that engages large chorus, five professional soloists and orchestra.  Rarely have I had such an opportunity. I’ve learned so much musically in the process of the writing.  I’ve also learned so much about my father through the writing, and I have a much deeper understanding of him and the extreme duress that he must have experienced both during and after the war prior to his death.  I feel him alive in me.

“I feel greatly honored to have been commissioned by the Greater Middletown Chorale to “Letter from Italy, 1944” as Composer-in-Residence.  I consider this chorus the equal of all the noted professional choruses in Connecticut.  I applaud the chorale for its willingness to take chances, delving into repertoire that has rarely or never been heard!  Maestro Joseph D’Eugenio is able to balance high expectations with warmth and charisma, and, as a result, has brought the group to a high level of musicianship, given its stunning and consistent readiness to fulfill all that is asked.

“At the heart of this group is a warmth and breadth of spirit, rare and contagious, by which I feel embraced in all my interactions and undertakings.  I thank all of you deeply for your unstinting support.  This is indeed a cherishing.”

While the April 28th performance is sold out, the Chorale has added a Preview Performance on Friday, April 26 at 7:30 p.m..  For tickets ($30 seniors, general admission $35), go online to Ticket Leap at www.letterfromitaly.com or at the box office one hour before curtain.  The Preview Performance is a complete run through in costume and with movement.  There may be breaks to correct technical issues. Stand-by tickets for the Sunday show, if available, will be released on Sunday at 3:30 p.m. An Honor Roll tribute for military veterans will be included in the program.

Immerse yourself in the conflicted life of one soldier, Dr John Meneely, Jr., and learn the costs of war on and off the battlefield in this loving tribute by two daughters for their father in the world premiere of “Letter from Italy, 1944.”

The above can be found at these Publications: bonniegoldberg.blogspot.com   (The Balcony and Beyond); www.ctcritics.org;  and Middletown Press Thursday, April 15, 2013.

 

New Haven Register 4/19/2013

The New Haven Register (nhregister.com), Serving New Haven, CT

Entertainment > Arts

SCSU’s Sheila Garvey stages ‘Letters from Italy 1944’ oratorio

Friday, April 19, 2013

By Donna Doherty
ddoherty@nullnhregister.com / Twitter: @nhregarts

MIDDLETOWN — It’s a story that’s been told in hushed conversations that generally don’t happen until decades have pushed the memory into a safe recess of the brain.

It’s been captured in iconic photographs that have won Pulitzer Prizes.

It is war, specifically the pre-social media wars, and the interlude it imposes on a relationship between a man and his family, a relationship kept alive through letters that can only express just so much.

“Letters from Italy 1944” is a new original opera/oratorio commissioned by the Greater Middletown Chorale which weeks ago sold out its April 28 date at the Performing Arts Center of Middletown High School, 200 LaRosa Lane.

The chorale is selling tickets to the Friday preview, technically the dress rehearsal. The show will be fully presented, with orchestra, though it may break for any technical problem.

Joseph Eugenio, the chorale’s award-winning artistic director, will conduct the 80-voice chorale with full orchestra, multimedia projections and staging by the GMC’s Drama Director in Residence Sheila Hickey Garvey, Southern Connecticut State University professor of theater.

According to press materials, “Letters” is the “life work” of two Connecticut sisters, Grammy-nominated composer Sarah Meneely-Kyder and poet/lyricist Nancy Meneely. It’s the true story of their father, Yale-educated doctor John Meneely Jr., who was 28 when he enlisted in the Army during World War II, serving as a medic in the 10th Mountain Division.

His “poetic letters home” inspired the work, which weaves together a soldierly story they call “one of terror and loss, and of his bittersweet homecoming.”

Tickets are $30 and $35 for the 7:30 p.m. Friday performance, and are available through www.LettersFromItaly.com.

Garvey said in a statement that as one who has had family serve overseas, she was honored to be involved in the project: “We never plan for the aftermath of war. This performance is meant to honor and remember those who have served.”

The Greater Middletown Chorale will give a portion of the proceeds to local veterans and military projects.

For more information, visit www.gmchorale.org or call 860-316-4854.

URL: http://www.nhregister.com/articles/2013/04/21/entertainment/arts/doc5171cc61bcdf4051810293.prt

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